Recently, “AI” machine learning techniques have been creeping into the art field in both entertaining and harmful ways. Some AI content creators make videos for harmless fun, but like the creators of recent AI-generated animated shorts, who have just come up with a more technically demanding method, they’re turning the animation industry on its head. Some mistakenly believe it has democratized. Plagiarism of other artists.
Earlier this week, corridor digitala Los Angeles-based production studio that makes pop culture YouTube videos, has uploaded a video called .anime rock paper scissorsWritten and directed by Nico Puringer and Sam Gorsky, the film revolves around two twins fighting over the throne left vacant by their recently deceased father. Janken’s “Twin Blades”. Corridor Digital leverages text-to-image machine learning model Stable Diffusion to Camera footage taken in front of a green screen Dramatic cartoon look. It’s basically AI-assisted rotoscoping. You can watch the video below.
read more: Netflix’s AI Anime Will Be Roasted To Credit Artists As ‘Humans’
“It is part of our human nature to try to visualize the non-existent. Likewise, let’s talk about traditional 2D animation. No. To do that, every frame of the film needs to be drawn by a very skilled person,” said Pueringer. another youtube videotitled “Did you just change animation forever? It’s a cartoon, another step towards true creative freedom where we can easily create whatever we want. “
In a comment pinned below, Pueringer said AI-driven animation production technology was never meant to replace human animators, and that the “nearly insurmountable challenges” faced by large animation studios. It’s a way to bring visual ideas to life without “a pile of work.” You need a big budget to get the job done.
“Imagine one or a few friends bringing crazy ideas to life. Imagine a traditional animator being able to automatically ink and color your drawings. Imagine eliminating the uncanny valley of a CGI face, these tools have the potential to do just that, and we’re trying to figure out how and sharing our journey. If you want a community-controlled AI tool, you have to develop it as a community.
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by email with KotakuPeuringer said someone could train an AI model to learn the styles of many artists, but it would be incorrect to assume that that was the only use case for the technology.
“Through this experiment, we are thinking about how we can use it. [our] Use these tools to create your art and speed up the process. ‘anime rock paper scissors‘ is the first step in the experiment [in] It’s about understanding how this works in the first place,” Pulinger said.
Feeding data to an AI model is not creating art
Despite how fascinating the AI behind it is, “Anime Janken” To fans of Corridor Digital, the group’s AI-powered anime steals from real artists in ways that seem little different from the prospects of other machine learning technologies, so it’s another pernicious move in the animation industry. It may be considered an innovation. The act of duplicating or selling an actor’s voice without permission.
not a breather dragon ball z fan film, Dragon Ball: Legends— Four years in the making by indie studio Studio Stray Dog — Corridor Digital’s attempt to recreate the passion and energy shown in early Girls’ Generation anime without any technical elements It’s a soulless recreation of animation tech sprinkled haphazardly that makes it terribly shoddy and embarrassing. skill or artistic merit.
Despite acknowledging the fact that anime is all about connecting visual language to narrative through stylized metaphor and art direction, Pulinger clarified: anime rock paper scissorsThe visual style was created by feeding background art from the Stable Diffusion AI model and character images taken from early fantasy animated films. Vampire Hunter D: Bloodlust.
“I tried to get different frames of the person, from face shots, torso shots, full body shots, hands, hair, and even abstract things like flowers, because all these objects are different. Each photo is effectively a different object, and when you train a model, it doesn’t learn a single subject, instead it learns the style in which all these subjects were painted,” said Pueringer. increase.
Finally, Corridor Digital’s trained model is A mess that looks like a TikTok filter Despite the technology’s best attempts to prevent all sorts of uncanny valley flickering seen in anime-filtered Snapchat videos, excessive shadow effects were constantly clipping character models. Blatantly copying the art style of anime studio Madhouse’s work literally frame by frame while claiming to understand the visual language that is trying to express is not “democratizing” anime production. It’s just a hack.
Many of Corridor Digital’s YouTube commenters anime rock paper scissors As a means of making content creation more accessible, other viewers thought the video was an insult to human animators.
“This seems like a way for tech guys to break into artist circles and at the same time steal the work of real artists and use it for AI to learn. How will you react?” YouTube Commentator SouperRussian I am writing in response to Corridor Digital’s “Did We Just Change Animation Forever?” video.
Many workers in the anime industry hate it
Unlike many of Corridor Digital’s social media fans, fellow YouTuber animator Ross O’Donovan believes Corridor Digital’s AI animations are walking on thin ice with professional animators. O’Donovan advised Corridor Digital to find a “first aid kit.” To be prepared for the discourse that would arise if you spoke to a real group of animation industry professionals. He specifically suggested that Corridor Digital sit down with people like the team behind his Netflix. Castlevania A series of interviews about the production process of anime rock paper scissors.
Turns out you don’t need to hit the Corridor Castlevania Director Samuel Dietz’s line is because he’s already given his opinion to the public. Dietz disagreed with his Corridor Digital claims that the company’s AI tools are “a step toward true creative freedom” and democratize the animation industry. Instead, Deets tweeted that Corridor Digital were simply “lazy thieves spitting on the whole art form.”
“When AI guys say ‘democratize’, they just mean ‘steal’ and ‘exploit’.” Deets replied in a Twitter thread.
Deets wasn’t the only one impressed by Corridor Digital’s advocacy for machine learning models in the animation industry. Toonami co-creator Jason DeMarco wrote in a tweetLegendary underground animator Ralph Bakshi fritz the cat and in 1978 Lord of the Ring The animated film did nothing to justify Corridor Digital’s claims.Instead, Bakshi answered simply “No comment” on tweets supporting Corridor Digital’s “incredible” AI-powered anime.
Despite the online backlash Corridor Digital received from people in the animation industry, Pueringer believes: anime rock paper scissors not ethically inferior to others YouTube related to pop culture A video I uploaded to my channel “to tell my story”.
of Posting on the r/Corridor subredditPeuringer noted that sudden change can be terrifying, but “especially if you feel your passion or livelihood is at stake,” Corridor Digital “sheds light on you.” We are exploring use cases for AI models as a way to help bring the imagination of “The Fog for Everyone” to life.
“I think a tool like this could make it easier for animators to propagate ink and color in this process. [an] For example, whole shots. That kind of possibility excites me about this technology and why we’re doing these experiments in the first place,” he said. Kotaku.
